From Chapter 10:
George Fitz-Boodle recounts how, as a boy, he was flogged for smoking, and how, at Oxford, smoking among other villainies led to his rustication. Later his tobacco, combined with insolence to his tobacco-hating colonel, conducted him out of the army into the retirement of civil life; and so on and so on. There is, of course, an element of exaggeration in all this; but Mr. Fitz-Boodle's experiences and reflections throw much light on the social history of smoking in the early decades of the nineteenth century. Mr. Harry Furniss, in the preface to his edition of Thackeray, has an admirably terse and pertinent paragraph on this aspect of the "Fitz-Boodle Papers." He says—"No gentleman in those days was seen smoking even a 'weed' in the streets. Cigarettes were practically unheard of in England, and outside one's private smoking-room pipes were tabooed. Men in Society slunk into their smoking-rooms, or, when there was no smoking-room, into the kitchen or servants' hall, after the domestics had retired. A smoking-jacket was worn in the place of their ordinary evening coat, and their well-oiled, massive head of hair was protected by a gorgeously decorated smoking-cap. Thus the odour of tobacco was not brought into the drawing-room."

From Chapter 15:
Other significant early tobacconists' signs were "Sir Walter Raleigh," "The Virginian" and "The Tobacco Roll." "Sir Walter," as the reputed introducer of tobacco, was naturally chosen as a sign, and his portrait adorns several shop-bills in the Banks Collection. The American Indians, represented under the figure of "The Virginian," and the negroes were hopelessly confused by the early tobacconists, with results which were sometimes surprising from an ethnological point of view. As the first tobacco imported into this country came from Virginia, a supposed "Virginian" was naturally adopted as a tobacco-seller's sign at an early date. An "Indian" or a "Negro" or a figure which was a combination of both, was commonly represented wearing a kilt or a girdle of tobacco leaves, a feathered head-dress, and smoking a pipe. A tobacco-paper, dating from about the time of Queen Anne, bears rudely engraved the figure of a negro smoking, and holding a roll of tobacco in his hand. Above his head is a crown; behind are two ships in full sail, with the sun just appearing from the right-hand corner above. The foreground shows four little black boys planting and packing tobacco, and below them is the name of the ingenious tradesman—"John Winkley, Tobacconist, near ye Bridge, in the Burrough, Southwark." Sixty years or so ago a wooden figure, representing a negro with a gilt loin-cloth and band with feathered head, and sometimes with a tobacco roll, was still a frequent ornament of tobacconists' shops.